![]() He quickly became a respected jazz musician.Ĭlifford's interest in the music had been stimulated by meeting Fats Navarro when he was just fifteen. Nevertheless, during his stay in hospital he was visited by Dizzy Gillespie who encouraged him to continue with his playing and eventually Clifford started to play professionally. For the rest of his short life he continued to suffer with his shoulder dislocating. He was hospitalised for a year and afterwards he was limited to playing the piano for some months. In June 1950 after a gig, Clifford was seriously injured in a car accident. By now he was playing in the fourteen strong, jazz-oriented Maryland State Band. ![]() Clifford went on to Delaware State University to read Maths but soon transferred to Maryland State College with its musical strand and he went frequently to Philadelphia for the music there. ![]() At thirteen, his father bought him his own trumpet he began taking private lessons and at junior high school he joined a jazz group arranged by a teacher. Clifford was fascinated by his father's trumpet and started having trumpet lessons at school when he was about ten. He was one of four boys whose father, also a trumpeter, organised his sons as a vocal quartet. Trumpeter Clifford Brown was born on 30th October 1930 in Wilmington, Delaware. Most of the tunes on the album are originals by Brown, Powell and Land but Billy Strayhorn's Take The A Train is included as is Ray Noble's Cherokee on which Clifford Brown's breakneck solo has become one of the most acclaimed in jazz. The tune came out on the 1955 Study In Brown album by Clifford Brown (trumpet) and Max Roach (drums) with George Morrow (bass) Richie Powell (piano) and Harold Land (tenor saxophone). Nevertheless it is a great track with possibly interesting links and worth spending time with. ![]() I can find no information online about why Clifford Brown called his tune Sandu, and of course we cannot ask him. Notice that these two modes are made up of the same notes.īar 4 : E b major scale (Eb ionian mode) over E bM7 including a E b major seventh arpeggio (E b-G-B b-D).īar 5 & 6 : C melodic minor scale over D7 -G7 and Cm.This article has to be based on guesswork.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |